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English 220.19

odd picture of an eye inside an eye, an I inside an I
Naked Mirrors,
Fractured Souls

An Introduction to Literature [and Film]


Professor William A. Nericcio

CLICK HERE FOR YOUR NAKED INFO SHEET!
naked
class logoThis is not just an "introduction to literature" class--that I can guarantee. Our Fall 2008 experimental, dynamic, and controversial extravaganza will use metaphors and acts of "nakedness" as we explore the minds, bodies, and art of women and men in some of the tastiest, most outrageous and eye-opening literature, film, art, photography, and poetry this side of the planet.

eye in the museum image, no linkWe will find that "naked" mirrors are common to the world of narrative and that to do justice to the concept of "literature" we may well have to get naked in the process! Puritans need not grow faint: bathrobes and tents will be provided!

But we have to be careful! Eyes wide open, sort of speak: these naked mirrors, concealing nothing, revealing all, are not without their tricks, not without their surprises, and the fractured souls they often display will test our intellect, imagination, and, most deeply, our emotions.

The various naked minds, bodies, and psyches we encounter this term will teach us to rethink what it is we think of when we imagine the dimensions of the human mind--in the process we will learn again just how instrumental the "seductive mirror" of literature can be in exposing the riches and excesses of these minds. 

This course is open to ALL undergraduates without regard to your selected major or minor and assumes no expertise in literature, film or fine art. If you are breathing, have an imagination, and are not easily offended by adult issues, themes and images then you should seriously consider coming along for the ride.

hand pointingNOTE: upper-division undergraduates and graduate students wishing to take this class for upper-division special study credit or graduate credit should email Professor Nericcio, memo@sdsu.edu as soon as possible for details.

first image, sets the scene, 'damaged'

Office Hours!


Bill Nericcio
email: memo AT sdsu.edu

My office hours are in
Arts and Letters 273,
from 1:30 to 3:45
on Mondays.



Kevin Gossett
email: kevinmgossett AT gmail.com

Kevin Gossett's office hours,
are on the white and green benches
 outside, just to the left as you exit the Little Theatre
from 3-4 also on Mondays. 

Readings include books, films, art, plays, and photography by Junot Diaz, Spike Jonze, Orson Welles, Franz Kafka, Meret Oppenheim, Rosario Castellanos, Oliver Mayer, Man Ray, Rene Magritte, Frida Kahlo, Los Bros. Hernandez, and others to be determined; note also, that surprise visits by living writers and artists are VERY likely for this class!



William Nericcio
Professor & Chair
Department of English &
   Comparative Literature
Arts and Letters 273
San Diego State University
5500 Campanile Drive | MC 6020
San Diego, California 92182-6020

ph: 619.594.1524
fx:  619.594.4998



List of Required Books:



MOVIES (free, screened IN class)

GILDA by Charles Vidor
TOUCH OF EVIL by Orson Welles
FIGHT CLUB by David Fincher
Gallery of Contemporary "NAKED" Artifacts
cool drawing of existentially profound snowmen
byrne eye
mario wagner
big mirror uk
bass guitar with television screens
gilda featuring rita hayworth
cinema paradiso
Something to think about in the weeks leading up to the class--is it possible that our attitudes toward film, literature, and the arts, are as easy to manipulate as our decorum in elevators?  Watch this film from Candid Camera in the 1950s and ask yourself if anything has really changed now in 2008.

alice
barbara kruger
if bukowski ran an english department, he'd be right at home with ours!
work from http://www.mohazima.com/
beer
art by teun hocks
deviant art link
greg gossel
COURSE
SCHEDULE OF EVENTS /READINGS

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