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English
220.19![]() Naked Mirrors, Fractured Souls An Introduction to Literature [and Film] Professor William A. Nericcio CLICK HERE FOR YOUR NAKED INFO SHEET! |
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![]() ![]() But we have to be careful! Eyes wide open, sort of speak: these naked mirrors, concealing nothing, revealing all, are not without their tricks, not without their surprises, and the fractured souls they often display will test our intellect, imagination, and, most deeply, our emotions. The various naked minds, bodies, and psyches we encounter this term will teach us to rethink what it is we think of when we imagine the dimensions of the human mind--in the process we will learn again just how instrumental the "seductive mirror" of literature can be in exposing the riches and excesses of these minds. This course is open to ALL undergraduates without regard to your selected major or minor and assumes no expertise in literature, film or fine art. If you are breathing, have an imagination, and are not easily offended by adult issues, themes and images then you should seriously consider coming along for the ride. ![]() |
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Office Hours!
![]() Bill Nericcio email: memo AT sdsu.edu My office hours are in Arts and Letters 273, from 1:30 to 3:45 on Mondays. ![]() Kevin Gossett email: kevinmgossett AT gmail.com Kevin Gossett's office hours, are on the white and green benches outside, just to the left as you exit the Little Theatre from 3-4 also on Mondays. |
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Readings include books, films, art, plays, and photography by Junot
Diaz, Spike Jonze, Orson Welles, Franz Kafka, Meret Oppenheim, Rosario
Castellanos, Oliver Mayer, Man Ray, Rene Magritte, Frida Kahlo, Los
Bros. Hernandez, and others to be determined; note also, that surprise
visits by living writers and artists are VERY likely for this class!
William Nericcio
Professor & Chair Department of English & Comparative Literature Arts and Letters 273 San Diego State University 5500 Campanile Drive | MC 6020 San Diego, California 92182-6020 ph: 619.594.1524 fx: 619.594.4998 |
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MOVIES (free, screened IN class)
GILDA by Charles Vidor TOUCH OF EVIL by Orson Welles FIGHT CLUB by David Fincher |
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Gallery of Contemporary "NAKED" Artifacts | |
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Something to think about
in the weeks leading up to the class--is it possible that our attitudes
toward film, literature, and the arts, are as easy to manipulate as our
decorum in elevators? Watch this film from Candid Camera in
the 1950s and ask yourself if anything has really changed now in 2008. |
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![]() Who has been here? |