English
157 | MALAS 600A | Fall 2024 ![]() #RoboticEroticElectric24 Comix, Cinema, and Literature in the Age of AI Tuesdays and Thursday @11am GMCS 333, aka "The Cyborg Hive" Dr. William “Memo” Nericcio expired countdown |
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In other words, we are already something we could call organic+ -- the plus (+) being the manufactured substances that flood our bodies, supplementing and supplanting what we used to think of as our "human essence." Need a doctor? There's an app for that! Hungry? UberEats to the rescue. Horny? Hinge, Tinder, and Grindr stand at the ready to assist. The digital and technological prosthetic supplants the hunter and gathering species of yore. Technology on the brink of supplanting Biology. The mind reels. Inspired by our current moment of bio/techno symbiosis, we aim then to make the body human, the body politic, the body robotic (or cyborg, or android) the focus of our semester-long adventure studying the history of comics, the legacy texts of artists, writers, animators, and illustrators trying to tell stories about our peculiar species! The SDSU catalog says that this class is concerned with "[a]esthetics, [the] interplay of texts and images, visual communication, and changes over time." And to a certain extent that is what we will deliver. But
this class will be much much more. In our
special experimental collective called
#roboticeroticelectric24, we will concern ourselves with
comics, of course -- but we will be most
focused on the intersection between technology and the
"human" -- between the consequences of smartphones and
AI and the categories we call psychology. Technology
always already alters the dimensions of the human. Just as hookup apps changed the nature of sexuality and dating in the present, so too will technological evolution touch every part of our lives -- including the way we touch, they we think, the way we evolve. Our class is very much also focused on the impact of machine/human interaction on the psyche, on the mind, and on the libido. That old cigar smoking father of psychoanalysis, Sigmund Freud, had a theory of the human mind that suggests there are dark, essential corridors of our consciousness we don't have direct access to -- he called this undiscovered country, "the unconscious." The
comics, books, movies, performances, and streaming media
we will encounter this semester are all associated in
some way with an exploration of this submerged,
electric, hidden world. Make sure your batteries are
fully charged as we begin this odyssey.From Westworld to Black Mirror, from Ex-Machina to Futurama, the world of entertainment is mesmerized by our ongoing revolution in artificial intelligence, robotics, and AI. In honor of this machine-dominating turn of events (where even your innocent smartphone knows more about you than you do) our playful, experimental and improvisational Fall 2024 section of ECL 157 Comics and History will be a digital/cyborg wonderland filled with bizarre, alluring fictional bodies (some robots masquerading as humans; some humans with little humanity at all). Along the way we will read and witness some incredible storytelling. We will prowl the remarkable and haunting nightmares of Ira Levin's THE STEPFORD WIVES to the haunting hallucinations of Franz Kafka; the madness-laced comix of the Hernandez Brothers in MR. X will beguile us even as the psychologically complex (both hilarious and sad) paintings of Jean-Michel Basquiat tempt us to see beyond machines to the bad wiring that has always infected what we call "the human." But we will only have 15 weeks to introduce ourselves to the range of artifacts that masquerade as “Comics” at the dawn of the 21st Century, so things will zip along at an amphetamine-laced pace! Make no mistake about it: this is NOT a survey of long, white-haired, sedate, upper-crust, high literature folks--we will be as obsessed with art, film, photography, and the internet, as we will the trappings of traditional literature. More an introduction to Cultural Studies than a history of superheroes in spandex, our multimedia exercise in fictional fetishism will try to set itself apart with vivacious books, paintings, and film filled with tortured, robotic, broken imaginations. We will strive to be eccentric (ex-centric, outside the circle) as we explore the world of alternative subjectivities, "televisual" constructions (think TicTok and Instagram) where individuals make and remake themselves on a daily basis. Daily Trigger Warning -- Click to enlarge ![]() |
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REQUIRED
BOOKS
![]() Please Avoid DIGITAL BOOKS* --all
students should bring their delicious literary
jewels made of paper, ink, and glue to our
robot hive imagination laboratory / classroom
for discussion! Also--note that the book links
provided below are included to ensure you pick
up the correct edition of the required books,
NOT to make Jeff Bezos more money at Amazon.
All the correct editions are available from
Aztec Shops Bookstore* Are used
books ok? Of course they are and so are
the rentals--but beware the notes and
scrawls you find in these discarded
receptacles of knowledge may not always
come from the most dedicated of former
students. Last
question: should you rent or
buy? That is up to you! But
remember, your personal
bookshelf is like a mirror of
the journey of
your psyche--a snapshot of the
evolution of your
imagination.
Empty
bookshelf?
=
Erased
intellectual
legacy
*Unlike other un-named classes here at SDSU, you actually have to read the books each week for the class to have any meaning at all.
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| Required Movies, Screened FREE in
Class! |
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Graduate Teaching Assistants! The
Sagacious AutomatonsTA Bonnie Palos (A'Martine to Crow) Hola! My name is Bonnie Palos. I'm a 1st Gen Mexican-American and the first person to attend college and even grad school in my family. I received my BA in Comparative Literature here at SDSU along with a certificate in creative publishing and editing. At first, I thought I wanted to be a writer and I had a few jobs here and there but ultimately I knew my true calling was teaching. Feeling like I was missing something in my life, it appeared to be a sign from fate that I had a message from the MALAS program to extend my studies. By virtue of that message, I happily returned to SDSU for my MALAS MA focused on Comparative Literature so that I can share my knowledge and spread the good word on Literature and how awesome it is to be AN SDSU MALAS Graduate! (hopefully, amongst mi gente Latina). I experienced many amazing professors during my journey and I hope I can provide that same support to a future student in my shoes someday. Currently, I am working on applications for PhD programs as well as working on publications so that I can one day be of service and wisdom for all of the future literature students. My areas of focus are horror, Latin American studies and gender and sexuality studies. Props to SDSU for having quite a strong selection of Horror Literature, Horror genre classes and of course to Profe Nericcio giving us the space, encouragement and tools to properly and productively express ourselves. If you have any questions/ comments for me or if you just want to have a really cool discussion feel free to meet with me whether its my office hours Tuesdays and Thursdays 1-2pm at the cafe across from the GMCS building or scheduling some time with me at more convenient time in person or even zoom! You can reach me at bonniepalos@gmail.com The
Cybernetic DroidsIzzy Ferrea Curran to Gonzalez Hi
everyone! My name is Izzy Ferrea and I am a
fourth year psychology major from Carlsbad, CA.
I took Comics and History my first year and it
is still my favorite class yet! I also work as a
Community Assistant for SDSU Residential
Education and am a research assistant at SHAN
Laboratory on campus. I’m ecstatic to be one of
your TAs this semester! I hope y’all love the
class as much as I did. If you have any
questions, comments or just want to chat, my
office hours are Tuesdays
12:30-1:30 at the Turtle Pond by Scripps Cottage
or
you can reach me at iferrea0605@sdsu.edu. The cyberLUSTERS TA Angelina Garcia (Goonatilaka to Loi) Well hey!
I am Angelina! I am a second year graduate student
with the MALAS program where my interests fall in the
realms of literature, ethnic studies, cultural
studies, and education. This semester, I get to
experience ECL 157 for the THIRD time under a
different name! The first, I was a freshman
undergraduate at SDSU in 2020 when this party was
called #theviruseye and held entirely on zoom; the
second, I was a first year graduate student taking
#nakedsouls as a graduate seminar! I am so thrilled to
get to sit in yet another seat in this chamber of
robots and go on another wild ride. A little bit about
me, I am a native San Diegan! As I alluded to earlier,
I did my undergraduate degree here at SDSU in English
and Comparative Literature. I am a BIG reader. I love
classic lit ranging from 19th century brit lit
romances to 20th century dystopian mindbenders, but I
have recently learned to set aside my literary
snobbery and enjoy some popular booktok authors
like Sarah J. Maas, Rebecca Yarros, and Ashley Poston!
I follow the Padres very closely, and I love working
out and implementing select bodybuilding practices in
my life. I also love getting outdoors whether it is to
hike or explore a new area, I like getting out
anywhere that my pup, Pilot, can come along! Please feel free to reach out to
me at agarcia0584@sdsu.edu.
I check this email regularly and will be sure to get
back to you quickly! Also feel free to join me in
office hours right outside the Engineering BCB on
Thursdays after class from 12:30-2:30 to chat about
class, books, or whatever your heart desires--I am
here for you!
The Dembots TA Demree McGhee (Lopez to Partida) dfmcghee@sdsu.edu My
name is Demree McGhee. I'm a 2nd year MFA fiction
student, a TA for the Rhetoric and Writing Studies
Department, and a GA for the English
and Comparative Literature Department. I went to
UCSD for my undergraduate degree in Literature and
Writing. I was born in Lawton, Oklahoma but I've lived
in San Diego since I was six. My favorite genre to read and
write is magical realism. In my work I tend to focus
on Blackness, femininity, and queerness and how these
identities converge. I've published several short
stories and poems in various online literary journals
and my first book comes out in early 2025 from
Feminist Press.
My
office hours are in AL 242 (Arts and Letters) from
1:15 - 2:15pm, Wednesdays and Thursdays. We
can also meet at another time through Zoom. Just email
me and let me know if you'd like to schedule an
appointment outside my normal office hours. I look
forward to working with you
The Automatic Crystals TA Luis Torres (Pau-Mendoza to Streit) ltorres7547@sdsu.edu Hello all, My name is Luis Torres and I'm excited beyond words to be working alongside you in this thrilling, intellectually stimulating course on robots, cyborgs, AIs, and comics. I was born and raised in Portland, Oregon, home of interminable rains and old growth forests. After graduating from Emory University with honors, where I studied at the intersection of philosophy and economics, I worked at a financial services firm for a year. Over the course of the pandemic, I turned to the world of arts and letters to pursue writing. Currently, I am a third year student in the Creative Writing program at SDSU, and am working towards an M.F.A. in poetry. More importantly, I am here at SDSU to expand my knowledge, to think critically, to question, to be questioned, to grow and become an impactful individual alongside you all. Office Hours: Tues/Thurs after class, in Starbucks by the Aztec Student Union, 2-3pm (or by appointment). Let me know if you have any questions, comments or concerns. Best, Luis
The Bordered CyborgsTA Bill Nericcio (Tanaka-Viz. to Zimmerman) Office Hours, Tuesdays 12:30 to 3:30 in AL 273, and by appointment email: either memo@sdsu.edu or bnericci@sdsu.edu A notorious Mexican-American public intellectual, San Diego State University Literature and Film Studies Professor (and sometime troublemaker), William Nericcio was born in the fabled "Streets of Laredo," Texas, or at Mercy Hospital, at any rate, in 1961. For thirteen years there he labored under the watchful, at times sinister, eyes of sisters, brothers, and priests at Blessed Sacrament Elementary School and St. Augustine High School—no doubt this contributes to the rumors that he was "raised by nuns" whispered on the internets. With an undergraduate degree in English honors from the University of Texas at Austin and an MA/Ph.D. in Comparative Literature from Cornell University, Nericcio now works as the Director of the Master of Arts in Liberal Arts & Sciences and Professor of English & Comparative Literature at San Diego State University—these postings followed a stint as an assistant professor at the University of Connecticut from 1988 to 1991 after his years freezing in Ithaca, New York (it also follows on his years as a bartender/barrista in Austin, Texas at the famous Cactus Cafe and defunct Texas Tavern). |
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![]() Passport aka the Utterly Reasonable Laws and Statutes of ECL 157, Comics & History #roboticeroticelectric24 ![]() Let me
underscore that you have absolute
intellectual freedom in our seminar, BUT to receive
these awesome rights, you must also follow the serious
but reasonable (and fair) responsibilities outlined in
this part of your syllabus. After all, we want to have a great time, to be the best literature/cultural studies class on the West Coast, even! Take that USC! Eat my dust UCLA! And it will be easier to achieve this semester as they, like us, are online all the time! But to do that, we need room for intellectual play--a safe asylum within which to forge our comics-laced, history-filled wanderlust. So, then, read these laws carefully and thoroughly, so when you enter our cyborg-designed empire of comics, GMCS 333 on Tuesday, August 27, 2024, you will know what to expect! PASSPORT
RULE 1 BOOKS_BOOKS_BOOKS BUY THE BOOKS AND READ
THEM--DON'T COME TO SEMINAR WITHOUT YOUR BOOK! Though we very much adore
living in the 21st century, we will, for the most
part use ANALOG, printed books in this class. So check out each one
and buy them or rent them now! PASSPORT RULE 2 READ_READ_READ!
Coming to a
university literature / film /cultural studies class without
doing the reading is like a gardener trying to raise
roses without getting her/his hands filthy with shit,
a surgeon trying to operate without a scalpel, a
fireman without her/his ax, a prostitute without ...
-- I will stop there; you get the gist of it. Do
the readings!
Do
them twice if you can MAKE the time! I know, you are
saying to yourself, "they don't make me read in my
other classes" or some other sort of nonsense...
well here, you must! Think twice about joining us if
you have not finished the readings -- the quality of
our class depends upon your dedicated work and your
relentless and independent curiosity. Without your
periodic intellectual donations, the class is likely
to evolve into a boring, even painful waste of
time.
Have you noticed
how anytime a student uses a laptop in an
auditorium there is a "cone of distraction" alongside and
behind the student using a computer? This
is usually due to said student surfing the web via
wi-fi perusing erotic delights or god knows what. I
was recently at a cool (ok, it was slightly boring,
I confess) lecture by a noted writer -- as I tried
to listen to her, in front of me, a diverted student
(attending the lecture, no doubt, for extra-credit)
was perusing sites like these (nsfw or school).
So, laptops are GREAT for entering your notes AFTER class, but they will not be allowed in our lecture hall. If you have an issue with this, schedule a meeting with me during office hours to chat the first week of class. PASSPORT RULE 4 PARALYZETHE SMARTPHONE!
If for
some reason you are expecting an emergency call, set
it on VIBRATE (for privacy, pleasure, or both!) and
sit in the back near an exit after letting me know
in advance before class that you are expecting an
emergency phone-call. Cellphones
KILL collective spaces of learning with their
ill-timed, annoying clattering rings, bongs,
squeaks, chirps, and themes.
PASSPORT RULE 5 Charlie-Delta_Thief
In the university, plagiarism refers to the art and crime of presenting other people's work under your own signature, aka cutting and pasting copied crap from Wikipedia--definitely a BAD thing. While your professor is forbidden by CSU/SDSU code from tattooing the word LOSER on the foreheads of guilty students, he can promise that felonious students will be remanded to the state-authorized SDSU executioners. Read THIS as well--SDSU is SERIOUS about this shit, so don't take any chances! Rely on your own singular mind and imagination! Major Course Requirements
Coming
to class for each seminar session is NOT optional -- the whole point
of this class is to work together, the idea being
that we creatively and magicly convert our classroom
into a chaotic, unpredictable, and exciting
intellectual laboratory. Missing class,
you miss, as well, the whole point of the
adventure. So please bypass no more than
three classes during the semester -- you are
responsible for any work/notes you miss when you are
absent and can PRESUME that what you missed
that day was important! If you miss MORE than three
classes during the term and your grade will decay in
an ugly way. EXAMPLES: your hard-earned A- will
morph into a B-; your "gentleman's C" will appear on
the your my.sdsu grade machine as a "D," etc. etc. Ditching this class too often will
be as fun as a case of flesh-eating virus. During the semester, you can
expect several In-class Panic-Inducing Challenges
otherwise known as CHECK-YOU-DID-THE-READING
QUIZZES. You can expect these miserable
quizzes from time to time, the number of quizzes
depending on how many of you are nostalgic for high
school. In other words, if everyone acts like a
talented university student, we will enjoy FEW if any
quizzes during our semester. DIGITAL/VIRTUAL
CONTRIBUTIONS We spend a fair amount of time
online and as such we will, in the course of the
semester, run into stuff online that resonates with
something we read, screen, or talk about in class.
Most social media sites are basically electronic
surveillance machines tracking your movements in order
to sell other companies your consumer profile. So, in
this class, we use an old site called Tumblr -- you
don't even have to be logged there to see my
class-related postings and notes; nor even to
contribute. You can see our #roboticeroticelectric
tumblr site already here
-- https://roboticeroticelectric.tumblr.com/ Your Mid-Term, aka the Mid-Semester #roboticeroticelectric24 Challenge, and Your Final Examination Extravaganza!
OFFICE HOURS
At SDSU,
it's easy to fall through the cracks, to feel that you
are nothing but a Red ID# or some warm pile of
sentient flesh filling a seat. In order to convince
you that the Professor teaching you is
occasionally human, please make a point during
the semester to take the time to introduce yourself
whether it be by piping up in class, zapping me an
email, or posting on one of our social media channels.
Regardless of how we end up arranging things, if you find my posted office hours are inconvenient, do not hesitate to email me for a phone appointment bnericci@sdsu.edu You can also call me at 619.594.1524 via telephone, but keep in mind I don't check my medieval office landline very often! |
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| SDSU Policies and Procedures | Key
info here! Land
acknowledgement : For millennia, the Kumeyaay people have been a
part of this land. This land has nourished, healed,
protected and embraced them for many generations in a
relationship of balance and harmony. As members of the
San Diego State University community, we acknowledge
this legacy. We promote this balance and harmony. We
find inspiration from this land, the land of the
Kumeyaay. Academic honesty: ● Copying, in part or in whole, from another's test or other examination. ● Obtaining copies of a test, an examination, or other course material without the permission of the instructor. ● Collaborating with another or others in coursework without the permission of the instructor. ● Falsifying records, laboratory work, or other course data. ● Submitting work previously presented in another course, if contrary to the policies of the course. ● Altering or interfering with grading procedures. ● Assisting another student in any of the above. ● Using sources verbatim or paraphrasing without giving proper attribution (this can include phrases, sentences, paragraphs and/or pages of work). ● Copying and pasting work from an online or offline source directly and calling it one's own. ● Using information found from an online or offline source without giving the author credit. ● Replacing words or phrases from another source and inserting one's own words or phrases. Under CSU policy, instructors
must report instances of academic misconduct to the
Center for Student Rights and Responsibilities for
disciplinary review by the University, which may lead
to probation, suspension, or expulsion. Instructors
may also, at their discretion, penalize student grades
on any assignment or assessment discovered to have
been produced in an academically dishonest manner.
● Willful, material and substantial disruption or obstruction of a University-related activity or any on-campus activity. ● Participating in an activity that substantially and materially disrupts the normal operations of the University or infringes on the rights of members of the University community. This includes not following established Covid-related protocol in class and on campus. ● Unauthorized recording, dissemination, or publication (including on websites or social media) of lectures or other course materials. ● Conduct that threatens or endangers the health or safety of any person within or related to the University community, including physical abuse, threats, intimidation, harassment, or sexual misconduct.
In cases where students are seeking accommodations in connection with their own disability or medical condition or where students are seeking an arrangement in connection with another COVID-19-related concern (for example, an having immunocompromised family member at home), SASC will provide a PDF letter documenting the student’s needs. The letter will indicate that: 1) Arrangements should be provided in connection with COVID-19 due to potential risks associated with face-to-face instructional settings and 2) that the arrangement is temporary and only for the period that it is required. Students are responsible for providing the letter to their instructors, advisors, and assistant deans.
Faculty, advisors, and assistant deans will work together to provide reasonable accommodations or arrangements, including exploring options for course substitution or, in the case of face-to-face lab and clinical courses, deferral. If there are concerns about the newly established process for arrangements and/or the academic accommodation process, faculty, advisors, assistant deans and others can contact SASC by emailing SASCinfo@sdsu.edu.
SDSU’s Economic Crisis
Response Team (ECRT) aims to bridge the gap in
resources for students experiencing immediate food,
housing, or unforeseen financial crises that impacts
student success. Using a holistic approach to
well-being, ECRT supports students through crisis by
leveraging a campus-wide collaboration that utilizes
on and off-campus partnerships and provides direct
referrals based on each student’s unique
circumstances. ECRT empowers students to identify and
access long term, sustainable solutions in an effort
to successfully graduate from SDSU. Within 24 to 72
hours of submitting a referral, students are contacted
by the ECRT Coordinator and are quickly connected to
the appropriate resources and services. For students
who need assistance accessing technology for their
classes, visit our ECRT website (sdsu.edu/ecrt)
to be connected with the SDSU library’s technology
checkout program. The technology checkout program is
available to both SDSU and Imperial Valley students.
Our class is a face-to-face
class. Students shall be required to bring or purchase
PPE as part of their class supplies. Students who need
financial assistance may contact the Economic
Crisis Response Team for support. The
modality of this course is subject to change in
connection with evolving public health conditions and
recommendations. Students with medical conditions that
would present a COVID-related risk and a face-to-face
instructional setting should contact the Student
Ability Success Center (https://sdsu.edu/sasc)
to begin the process of getting support. Students who
do not adhere to the Covid19
Student Policies and do not
comply with the directives of their faculty will be
directed to leave the classroom and will be referred
to the Center for Student Rights and Responsibilities.
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| Skin photo by Wilhelm Gunkel on Unsplash; Robot photo by Possessed Photography on Unsplash | |||||||||||||||||||||||||||||||||||||||||||||||||||||||