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utterly experimental and improvisational
Spring 2014 section of
"Introduction to Literature" (Engl 220.3—schedule # 21066)
will be a veritable wonderland filled
with bizarre, alluring fictional bodies. From the remarkable and haunting
paintings of Rene Magritte to the
irreverent and haunting hallucinations of Franz
Kafka, from the dark, sensual nightmare of a 21st
century Siggy Freud in the mad prose of Lidia Yuknavitch,
to the (slightly demented) exotic borderlands in the
writings of yours truly,
our catalogue of textual and screened delights has
enough controversy, outrage,
and mystery to keep us busy for a lifetime. But as
we have only 15 weeks to
introduce ourselves to the range of artifacts that
pass as literature
at the
dawn of the 21st Century, things will zip along at
an
amphetamine-laced pace!Make
no mistake about it: this is NOT a survey of long,
white-haired, sedate,
upper-crust, high
literature--we will be as
obsessed with film, photography, and the internet,
as we will the trappings of traditional
literature. More an
introduction to Cultural Studies than a
long-in-the-tooth worship festival of
the old classics (sorry Shakespeare, get-out
th'way Milton, adios Edmund Spenser), our
multi-media exercise in fictional
fetishism will try to set itself apart with
vivacious books, paintings, and
film filled with tortured, naked, broken
imaginations.
nota bene: though
this is an English 220 class, upper-division folks
and graduate students who
are crazy about literature, film, and visual culture
can take the class as a Engl
499 Special Study course or an English or MALAS
(Master of Arts in Liberal Arts and Sciences) 798
Special Study. Email me at
bnericci@mail.sdsu.edu for
more info! |
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REQUIRED BOOKS magritte, taschen metamorphosis, kafka (norton critical edition) kafka, crumb and mairowitz (fantagraphics, norton distributor) textmex, nericcio stepford wives, levin do androids dream of electric sheep, dick aura, fuentes murakami, KAFKA ON THE SHORE dickens, hard times... gilman's yellow wallpaper |
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