E220.23 Introduction to Literature
LIGHTS BODY INK
Day to Day Menu Spring 2002
Dr. W. Nericcio, ringmaster
 

January 22, Tuesday
An Introduction to the Worlds of Literature
First Day of the Semester--introductory lecture on Lights, Body, Ink!; close reading of Shakespeare's sonnet #73

January 24, Thursday
The Short Story, Feminist Critical Theory, Psychological Fiction
Read Charlotte Perkins Gilman's short story "The Yellow Wallpaper." Explore the connection between the body that writes and the written body. INK = or ? SELF. Please also read the Elaine Hedges essay at the back of the Fem. Press edition

January 29, Tuesday
Art History and Literary Cinema
Brief lecture on the connection between Gustav Klimt and Charlotte Perkins Gilman (Hubel); Begin screening Sunset Boulevard by Billy Wilder

January 31, Thursday
Literary Cinema, continued
Complete your in-class, totally free and cool screening of 1950s most amazing piece of cinema, Sunset Boulevard; in-class surprise writing assignment #1.

February 5, Tuesday
Literature, Experiments, & Psych. Novels
Read the first half of Junichiro Tanizaki's brilliant novel, The Key wherein, among other things we learn of the power of words to deceive.

February 7, Thursday
Fiction and Human Psychopathology
Brief lecture on Sunset Boulevard's origins (Holt); Finish Tanizaki's The Key; explore the connections between literature, masochism, sadism and psychological pathology. Short lecture on Freud's theory of Dreams

February 12, Tuesday
American Literature, the Novel and Point of View
Read the first 64 pages of William Faulkner's outrageous As I Lay Dying. As you move from chapter to chapter be KEENLY aware of the differences between each of his lovely, twisted players.

February 14, Thursday
Take a Break, you deserved it.
No CLASS Meeting today--catch up on your reading, sleep, lovelife, work, whatever!

February 19, Tuesday
American Literature and the Psychology of the Female Body
Read to page 179 in Faulkner's As I Lay Dying--as much as this is a portrait of a strikingly singular family, Faulkner also seeks to portray the American South as well. Term for the day: ALLEGORY. Receive Imagination Challenge #1, due 3/8/02

February 21, Thursday
Literary Fictions
Walk into the room having finished As I Lay Dying. We will discuss Faulkner's work and try to connect and contrast his work with Tanizaki, Wilder and Gilman.

February 26, Tuesday
The Politics of Poetry
Resistance Literature or Poetry and the Streets. Read the entire collection of work by the Taco Shop Poets; as you read, note the key motifs, images and issues which define their critical/poetical domain.

February 28, Thursday
The Politics and Poetry of Performance
In class concert featuring the famously infamous TACO SHOP POETS--hold onto your hats and please feel free to bring your friends (as long as they don't mind sitting in the aisles); this promises to be a SPRING 2002 event to remember

March 5, Tuesday
Philosophy and Literature
It's a Neo-British Invasion with Nietzsche-monger Peter Atterton who guides us through philosophy, literature, and the meaning of life in Tolstoy's "THE DEATH OF IVAN ILYCH." Dr. Atterton is a lecturer in the Department of Philosophy at SDSU. He arrived on the Mayflower from England in 1995 with a Ph.d in philosophy from the University of Essex. He has published in the field of ethics, evolution, and continental philosophy--interests include movies, music, and atheology. He claims (though nobody believes him) to have no nationality, which he says is "the best possible status for an intellectual."

March 7, Thursday
Literature, Art and Autobiography
From Tolstoy's meditation on the meanings of life and death we move to the oddly elegiac visions of Frida Kahlo. For class today, "read" and "see" up to page 54 in Isabel Alcántara and Sandra Egnolff's Frida Kahlo and Diego Rivera.

March 12, Tuesday
Ethnic Literatures
Finish the Book on Kahlo and Rivera for today's class and begin reading my essay on Speedy Gonzalez in your Camera Obscura #37 journal. From a consideration of Kahlo's literary and autobiographical narrative, we will move to the issue of "Mexico" itself as it figures in the American imagination.

March 14, Thursday
Animated Classics & Race Politics
Classic Animation Film screening day as we watch cartoons by Friz Freleng, Robert McKimson and others. For today's reading, finish the Speedy Essay in the Camera Obscura volume.

March 19, Tuesday
Literature and Photography
Carefully "read" the De L'Ecotais Man Ray book for today's discussion; our emphasis in discussion and lecture will be the ironic role of light and the body in the work of Ray.

March 21, Thursday
The Violence of the Voyeur: An Allegory on Cinema
Today we move from the ironic camera of Man Ray into the ultra-ironic and exotic lens of Spike Jonze as we begin screening his Being John Malkovich.

March 26, Tuesday
The Violence of the Voyeur: An Allegory on Cinema
More Jonze and Malkovich

March 28, Thursday
Literature and the Graphic Narrative
Light INK Body--enter the room having read Chris Ware's remarkable comic book: Acme, The Library of Novelties, #15, volume 7, part 2. It is my theory that Ray and Powell and Ware share certain traits. Watch for these as you read.

April 2, Tuesday
SPRING BREAK
NO CLASS--have a fantastic SAFE break!

April 4, Thursday
SPRING BREAK
NO CLASS--have fun!

April 9, Tuesday
The Politics of Literature and Art
Read the first 66 pages of Ida Rigby's WAR-REVOLUTION-WEIMAR as we explore again, reflect back on the tactics of the TACO SHOP POETS and the real and ideal connections one makes between aesthetic creativity and political action.

April 11, Thursday
Politics of Lit & Art, continued
Finish reading the Rigby book for today's lecture.  Receive Imagination Challenge #2, due Thursday May 2, 2002

April 16, Tuesday
Literature and the Literary Journal
Read the first half of pacific Review 2002

April 18, Thursday
Literature and Publishing
Read the second half of pacific REVIEW 2002--be sure to pick the piece you think works the best and the one that most stinks! In class rap session with the journal editors a distinct possibility.

April 23, Tuesday
World Cinema/World Literatures
ooh-la-la it's French Cinema Week as we dive into the perplexing spaces of Jean Luc Godard's Numero Deux. In preparation for the screening, carefully read the difficult dialogue "In Her Place," by Harun Farocki and Kaja Silverman in Camera Obscura 37.

April 25, Thursday
Literature and Television
Finish screening Godard's masterpiece; as you watch, consider the role television plays WITHIN this piece of cinema. It is as if Godard wants us to rethink our relationship to both media.

April 30, Tuesday
Literature and Theatre
Read Young Valiant by Oliver Mayer as we move squarely into the realm of the theater. Pay close attention to the relationship between setting and character in this beautiful short piece that is one part Greek Tragedy, one part soap opera, and one part Freudian wet dream. In class visit by Oliver Mayer! Bring your books and get an autograph; special rap session with the writer; insider Hollywood secrets revealed!

May 2, Thursday
NO CLASS--enjoy your temporary vacation, as you have earned it!

May 9, Tuesday
Denouement, REVIEW & Good-bye!

May 14
OFFICIAL FINAL EXAM DAY
3:30 to 5:30 in Family Studies 108.
 

questions? zap: memo@sdsu.edu